The Intangible Nature of Drama Documents: an FRBR View

V. Lombardo, R. Damiano, Antonio Pizzo, Carmi Terzulli
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引用次数: 7

Abstract

As a pervasive form of artistic expression through ages and me- dia, drama features a twofold nature of its tangible manifestations (theatrical performances, movies, books, etc.) and its intangible abstraction (the story of Cinderella underlying Disney movie and Perrault's fable). The encoding of the intangible drama abstraction of drama documents is relevant for the preservation of cultural heritage and the didactics and research on drama documents. This paper addresses the task of encoding the notion of intangible story abstraction from the drama documents. The reference model is provided by a computational ontology that formally encodes the elements that characterize a drama, for purposes of semantic link- ing and inclusion in annotation schemata. By providing a formal expression posited between drama as work and its manifestations, the ontology-based representation is compliant with the model of Functional Requirements for Bibliographic Records (FRBR).
戏剧文献的无形性:FRBR视角
戏剧作为一种贯穿时代和媒介的普遍艺术表现形式,具有有形表现(戏剧表演、电影、书籍等)和无形抽象(迪士尼电影和佩诺特寓言背后的灰姑娘故事)的两重性。戏剧文献非物质戏剧抽象的编码关系到文化遗产的保护,关系到戏剧文献的教学与研究。本文讨论了从戏剧文献中对无形故事抽象概念进行编码的任务。参考模型由计算本体提供,该本体对戏剧特征的元素进行正式编码,以实现语义链接和包含在注释模式中的目的。通过提供一种介于戏剧作为作品及其表现形式之间的形式表达,基于本体论的表达符合书目记录功能需求(FRBR)模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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