{"title":"Batswana audience and the 'Thokolosi' television drama controversy","authors":"P. Ebewo, P. G. Mmila","doi":"10.4314/MARANG.V17I1.39312","DOIUrl":null,"url":null,"abstract":"In February 2006, Botswana Television (BTV) screened a commissioned television drama\nseries entitled Thokolosi. This drama series, which deals with witchcraft, is set in a\nBotswana village called Bobonong. The contents of the drama series in relation to the\nvillage attracted criticisms from the public, which culminated in a heated controversy.\nWhile a section of the Batswana audience cherished the pioneering indigenous effort of the\nfilmmakers, a cross-section, particularly indigenes of Bobonong and their sympathizers,\nfrowned at the production, denouncing it as stereotypical, parochial, and ethnically biased.\nThe aim of this paper is to contribute to the ‘censorship' debate in a positive mode, by\nattempting to enlighten the viewing public on how to deal with works of art and to sensitize\nartistic producers to expectations from the consuming audience. Keywords : audience; Bobonong; Thokolosi; television drama; producer;\ncontroversy MARANG: Journal of Language and Literature Vol. 17 2007: pp.83-94","PeriodicalId":411071,"journal":{"name":"Marang: Journal of Language and Literature","volume":"154 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marang: Journal of Language and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/MARANG.V17I1.39312","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
In February 2006, Botswana Television (BTV) screened a commissioned television drama
series entitled Thokolosi. This drama series, which deals with witchcraft, is set in a
Botswana village called Bobonong. The contents of the drama series in relation to the
village attracted criticisms from the public, which culminated in a heated controversy.
While a section of the Batswana audience cherished the pioneering indigenous effort of the
filmmakers, a cross-section, particularly indigenes of Bobonong and their sympathizers,
frowned at the production, denouncing it as stereotypical, parochial, and ethnically biased.
The aim of this paper is to contribute to the ‘censorship' debate in a positive mode, by
attempting to enlighten the viewing public on how to deal with works of art and to sensitize
artistic producers to expectations from the consuming audience. Keywords : audience; Bobonong; Thokolosi; television drama; producer;
controversy MARANG: Journal of Language and Literature Vol. 17 2007: pp.83-94
2006年2月,博茨瓦纳电视台(BTV)播出了一部受委托制作的电视剧《Thokolosi》。这部关于巫术的电视剧以aBotswana村庄Bobonong为背景。电视剧中有关这个村庄的内容引起了公众的批评,最终引发了一场激烈的争论。虽然一部分巴茨瓦纳观众珍视电影制作人在土著方面的开拓性努力,但也有一部分观众,尤其是波博农土著及其同情者,对这部电影不满,谴责它是刻板的、狭隘的、有种族偏见的。本文的目的是通过试图启发观众如何处理艺术作品,并使艺术生产者对消费观众的期望敏感,以积极的方式为“审查”辩论做出贡献。关键词:受众;Bobonong;Thokolosi;电视剧;MARANG: Journal of Language and Literature Vol. 17 2007: pp.83-94