Does Art Need Copyright After All

A. K. Brankov
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Abstract

As part of my law practice, I am often asked to counsel clients concerning the purchase and sale of works of art, and questions about the copyrightability of these artworks come up in various ways. Unlike some other forms of cultural production, the main way visual artists benefit economically from the production of their work is not from royalties from the sale of copies of the work, but rather is from the sale of the physical artwork itself. Perhaps that is why, putting aside photographers, visual artists do not commonly register their works in a routine manner. Registration certainly occurs, but it is not an artist’s everyday practice to register a work after she creates it. This can be frustrating because when considering whether and how a work is protected by the copyright law, one of the first things lawyers do is look to see whether there is a copyright registration for the work.
艺术到底需要版权吗
作为我法律工作的一部分,我经常被要求为客户提供有关艺术品买卖的咨询,这些艺术品的版权问题以各种方式出现。与其他形式的文化生产不同,视觉艺术家从其作品的生产中获得经济利益的主要方式不是来自作品副本销售的版税,而是来自实物艺术品本身的销售。也许这就是为什么除了摄影师之外,视觉艺术家通常不会以常规方式登记他们的作品。注册当然会发生,但这不是一个艺术家的日常做法,注册后,她创造了一个作品。这可能令人沮丧,因为当考虑作品是否以及如何受到版权法的保护时,律师要做的第一件事就是查看作品是否有版权注册。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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