Petite idole énigmatique aux yeux allongés et pleins de rêve ». Les stéréotypes orientalistes dans Le Harem entr’ouvert d’A.-R. de Lens

Małgorzata Sokołowicz
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Abstract

The present paper describes some orientalist stereotypes concerning women and manifesting themselves in Le Harem entr’ouvert (1919), a short story collection by Aline Réveillaud de Lens (1881–1925), a French painter and writer, whose works are devoted mainly to North Africa. The paper focuses on three, most common, stereotypical representations of the Oriental woman according to which she is, firstly, a beautiful odalisque serving the man; secondly, extremely sensual and thus unfaithful and, finally, jealous and, sometimes, very cruel. The author attempts to explain the origins of those representations and to answer the question why A.-R. de Lens used them in her writings
神秘的小偶像,长着长长的眼睛,充满了梦想。”《a.r.半开后宫》中的东方主义刻板印象。Lens)
本文描述了一些东方主义对女性的刻板印象,并在法国画家和作家阿琳·朗斯(1881-1925)的短篇小说集《后宫的外露》(1919)中表现出来。朗斯的作品主要集中在北非。本文着重分析了东方女性最常见的三种刻板形象,根据这些形象,东方女性首先是为男人服务的美丽女子;其次,极度肉欲,因此不忠,最后,嫉妒,有时非常残忍。作者试图解释这些表述的起源,并回答为什么a.r。德朗斯在她的作品中使用了它们
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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