Story Structure

P. Hogan
{"title":"Story Structure","authors":"P. Hogan","doi":"10.5040/9781350155794.ch-010","DOIUrl":null,"url":null,"abstract":"The second chapter of Style in Narrative illustrates and extends the general theory developed in chapter 1. Specifically, it addresses the level of story structure and the scope of an authorial canon. In connection with this, it considers William Shakespeare’s complex relation to genre, examining the way in which he thoroughly integrates genres, rather than simply adding storylines with different genre affiliations. The presence of such integration in Shakespeare’s works has frequently been noted, but critics have rarely sought to explain it in detail. In order to explore the topic more thoroughly, the chapter focuses on two plays, Romeo and Juliet and Hamlet. To clarify what is specifically Shakespearean in these works, Hogan examines the former in relation to Shakespeare’s sources for the play and the latter in relation to a precursor revenge drama, Thomas Kyd’s Spanish Tragedy.","PeriodicalId":281107,"journal":{"name":"Style in Narrative","volume":"156 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Style in Narrative","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781350155794.ch-010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The second chapter of Style in Narrative illustrates and extends the general theory developed in chapter 1. Specifically, it addresses the level of story structure and the scope of an authorial canon. In connection with this, it considers William Shakespeare’s complex relation to genre, examining the way in which he thoroughly integrates genres, rather than simply adding storylines with different genre affiliations. The presence of such integration in Shakespeare’s works has frequently been noted, but critics have rarely sought to explain it in detail. In order to explore the topic more thoroughly, the chapter focuses on two plays, Romeo and Juliet and Hamlet. To clarify what is specifically Shakespearean in these works, Hogan examines the former in relation to Shakespeare’s sources for the play and the latter in relation to a precursor revenge drama, Thomas Kyd’s Spanish Tragedy.
故事结构
第二章对第一章的一般理论进行了阐述和扩展。具体来说,它解决了故事结构的层次和作者经典的范围。与此相关,它考虑了威廉·莎士比亚与体裁的复杂关系,研究了他彻底整合体裁的方式,而不是简单地添加不同体裁的故事情节。人们经常注意到莎士比亚作品中这种融合的存在,但评论家很少试图详细解释它。为了更深入地探讨这一主题,本章主要以两部戏剧《罗密欧与朱丽叶》和《哈姆雷特》为重点。为了弄清这些作品中哪些是莎士比亚的作品,霍根将前者与莎士比亚戏剧的来源联系起来,并将后者与复仇剧的先驱托马斯·基德的《西班牙悲剧》联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信