Television beyond the Networks: First-Run Syndication of Original Content in the 1970s

Karen Petruska
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引用次数: 2

Abstract

This article offers historical case studies of Winters/Rosen’s Story Theatre and Norman Lear’s Mary Hartman, Mary Hartman, first-run scripted programs that endeavored to address a national audience through the syndication marketplace during the 1970s in the United States. Despite the programs’ efforts to operate outside network distribution circuits, both series faced profound challenges that spotlight a range of factors that reinforced the dominance of CBS, NBC, and ABC during the network era. Positioned within larger cultural shifts, this consideration of first-run syndication charts the growing importance of independent stations and alternative modes of distribution, examines obstacles in the path of producers of innovative content, and discusses how these programs complicated traditional notions of televisual quality and value.
超越网络的电视:20世纪70年代原创内容的首次联合
本文提供了温特斯/罗森的故事剧院和诺曼·李尔的《玛丽·哈特曼,玛丽·哈特曼》的历史案例研究,这是20世纪70年代在美国通过辛迪加市场试图向全国观众发表讲话的首次运行的脚本节目。尽管这两部剧努力在网络发行线路之外运作,但它们都面临着深刻的挑战,这些挑战凸显了一系列因素,这些因素巩固了CBS、NBC和ABC在网络时代的主导地位。在更大的文化变迁中,对首次播出联合的考虑描绘了独立电视台和其他发行模式日益增长的重要性,检查了创新内容生产者道路上的障碍,并讨论了这些节目如何使传统的电视质量和价值观念复杂化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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