Symbols of Time and Eternity in F. I. Tyutchev’s Nature Lyrics

Ludmila G. Shakirova
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Abstract

The article examines the poorly studied material concerning Tyutchev, dedicated to the interconnection of symbolism in the poet's works. Based on the analysis of poems, the article proves that the relationship between time and eternity (dating back to antiquity) is the main meaning-forming and connecting principle of Tyutchev’s symbolic system. The author pays special attention to the poem Day and Night, the quintessence of the poet's worldview. The analysis of the poems The Feast is Over, The Swan, The Soul Would Like to Be a Star given in the article makes it possible to understand that time in the lyrics of Tyutchev's nature is constantly associated with the change and movement that are characteristic of the bottom (“dolny world”, the world of “day”); eternity — with a state of immobility and immutability, characteristic of the upper, remote from the “dolny smoke” — infinite space. It is proved that due to the main philosophical opposition between time and eternity, the poet introduces new examples of oppositions, and strengthens the antithetical nature of his entire system. Tyutchev’s symbolic system splits into two hierarchical levels, opposite and at the same time interconnected with each other, each of which is represented by the corresponding links of oppositions, which, in turn, are assigned to a certain scale of values that determine the semantics of time and eternity.
F. I.丘契夫自然抒情诗中时间与永恒的象征
本文考察了关于丘契夫的研究很少的材料,致力于诗人作品中象征主义的相互联系。本文通过对诗歌的分析,论证了时间与永恒的关系是秋契夫符号系统的主要意义形成和联系原则。作者特别关注了诗人世界观的精华之作《白夜》。文章通过对《盛宴结束》、《天鹅》、《灵魂愿成为一颗星》等诗的分析,可以理解,在秋乔夫的抒情诗中,时间是不断与底层(“孤独的世界”、“白昼的世界”)特征的变化和运动联系在一起的;永恒——具有不动和不变的状态,具有上层的特征,远离“孤独的烟雾”——无限的空间。事实证明,由于时间与永恒之间的主要哲学对立,诗人引入了新的对立例子,并加强了他的整个系统的对立性。丘契夫的符号系统分为两个层次,相互对立,同时又相互联系,每一个层次都由对应的对立面的链接来表示,这些对立面又被分配到一定的价值尺度,这些价值尺度决定了时间和永恒的语义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
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