Design Of Wedding Jewelry Stacking Mechanism With Vina Musical Instrument Theme On Kendalisodo Temple Relief

W. Herdiana, Prayogo Widyastoto Waluyo, Timothy Lombardi, Maria Nadya
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Abstract

Kendalisada temple dates from the middle of the 15th century which is the last stage of the Majapahit period. The author would like to re-introduce the existence of Kendalisada Temple to modern society today by designing a wedding jewelry set product inspired by the reliefs of Kendalisada Temple which tells the story of Prince Panji and Dewi Sekartaji who are sitting intimately, then the prince plays the Vina musical instrument to entertain his lover, where for the surroundings there are natural landscapes such as mountains and water. In the design process, the author used a qualitative method in the form of a literature study which includes searching for data through books, electronic sources, and related journals about Kendalisada Temple, Kendalisada Temple reliefs, Vina musical instruments, types of jewelry, jewelry materials, wedding jewelry, jewelry making techniques, markets. research, and trend forecasting. The author also used the cultural design method to transfer the culture in the relief into a product. The design process used 4 stages, namely investigation, interaction, script development, and product design. After that, the author made some ornaments and then developed more. The author uses the stacking method in jewelry making where the use of jewelry in the form of sets is stacked with a total of 2-3 pcs for each type of jewelry.
肯达利索多寺浮雕中以Vina乐器为主题的婚礼珠宝堆叠机构设计
Kendalisada神庙建于15世纪中叶,是Majapahit时期的最后阶段。作者想通过设计一款以Kendalisada寺浮雕为灵感的婚礼珠宝套产品,将Kendalisada寺的存在重新引入现代社会,讲述了Panji王子和Dewi Sekartaji亲密地坐在一起,然后王子演奏Vina乐器来娱乐他的爱人,周围是山和水等自然景观。在设计过程中,笔者采用了文献研究法的定性方法,通过书籍、电子资料、相关期刊等查阅资料,包括肯达丽莎寺、肯达丽莎寺浮雕、维纳乐器、珠宝种类、珠宝材质、婚庆珠宝、珠宝制作工艺、市场等。研究和趋势预测。笔者还运用文化设计的方法,将浮雕中的文化转化为产品。设计过程分为四个阶段,即调查、互动、脚本开发和产品设计。在此之后,作者制作了一些饰品,然后进一步发展。笔者在首饰制作中采用堆叠的方法,将首饰以套装的形式使用,每一种首饰总共堆叠2-3件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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