Fourth Study

Nikhil Govind
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Abstract

The fourth chapter stays within this older tradition. Saratchandra Chatterjee’s Srikanta is to many the canonical Indian novel—it too is a bildung, following the protagonist from a wayward rural childhood into adulthood via many quests for livelihood and love. The protagonist Srikanta is far removed from a typical bourgeois clerical life. His life is often made via several fascinating female protagonists who educate him into the joys of non-conformity and courage. The chapter also includes a discussion of Rabindranath Tagore’s Garden—though less appreciated, the Garden is a fine meditation on illness and love. Unlike the infinitely mobile characters in Srikanta (male and female), here the ill female protagonist watches the world unfold in front of her (including her husband’s interest in another woman) even as she lies pinned to a bed.
第四研究
第四章保留了这个古老的传统。Saratchandra Chatterjee的《Srikanta》对许多人来说都是印度的经典小说——它也是一部建筑小说,讲述了主人公从任性的农村童年到成年,经历了许多对生计和爱情的追求。主人公斯里坎塔与典型的资产阶级牧师生活相去甚远。他的生活常常是通过几个迷人的女性主人公来塑造的,她们教会他不墨守成规的乐趣和勇气。这一章还讨论了泰戈尔的《花园》——虽然不太受欢迎,但《花园》是对疾病和爱情的沉思。与《斯里坎塔》中无限移动的角色(男性和女性)不同,在这里,生病的女主人公看着世界在她面前展开(包括她丈夫对另一个女人的兴趣),即使她躺在床上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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