Non-Sovereign Forgiveness Mercy among Equals in The Laws of Candy

Bernadette A. Meyler
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Abstract

This chapter examines The Laws of Candy, composed either partially or principally by playwright John Ford, who resided for a long time in the Middle Temple, one of the Inns of Court that formed England’s early law schools. While on first blush The Laws of Candy seems merely to displace sovereignty from a King onto a legislative body, this chapter argues that it rejects sovereignty and a vision of pardoning attached to sovereignty in its entirety. Instead, the play presents the possibility of reconstructing a state faced with potential dissolution through a series of non-sovereign offers of forgiveness. The priority here is placed on law over sovereignty. The chapter also examines how this emphasis relates back to a possible intertext for the play, Plato’s Laws, which was widely read and cited by lawyers, including in Henry Finch’s Nomotexnia, and in compilations of ancient materials, such as Polyanthea and Polyanthea Nova.
《糖果法则》中平等者之间的非主权宽恕
这一章研究了《糖果法则》,它部分或主要是由剧作家约翰·福特创作的,他长期居住在中间圣殿,这是英国早期法学院的法院学院之一。虽然乍一看,《糖果法则》似乎只是将国王的主权转移到立法机构,但本章认为,它完全拒绝了主权和与主权相关联的赦免愿景。相反,该剧通过一系列非主权的宽恕,呈现了重建一个面临潜在解体的国家的可能性。在这里,法律优先于主权。本章还研究了这种强调如何与戏剧的可能互文柏拉图的法律联系起来,柏拉图的法律被广泛阅读并被律师引用,包括亨利·芬奇的《Nomotexnia》,以及古代材料的汇编,如《Polyanthea》和《Polyanthea Nova》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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