Roger Corman

M. Leeder
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Abstract

“The King of the B Movies.” “The Pope of Pop Cinema.” “The Spiritual Godfather of the New Hollywood.” “The King of Cult.” Celebrated and reviled, the many-nicknamed Roger Corman is a remarkable filmmaker for many reasons. By all accounts a quiet, unassuming man with left-wing politics who is nevertheless known as a cutthroat businessman and unapologetic capitalist, Corman is enshrined in Hollywood legend for his thrift and innovation. His 1950s and 1960s output as a director, mainly for American International Pictures (AIP), is varied and colorful: science fiction films, gangster films, motor racing films, biker films, sex comedies, Westerns. And yet it is surely for his horror films he is best remembered, especially the mid-budget series adapting Edgar Allan Poe stories, mostly starring Vincent Price. He is also well known as a nurturer of new talent, providing numerous actors and directors with early opportunities; his successful disciples have rewarded him with cameos in films such as The Godfather Part II (1974) and The Silence of the Lambs (1991). Corman was an innovator on the business side as well. In 1959, he and his brother Gene Corman founded a distribution company called Filmgroup; it folded within a few years but was a prelude to the founding of Corman’s much more successful New World Pictures in 1970. New World was oriented toward inexpensive exploitation films but also responsible for the American distribution of many international art films by directors such as Ingmar Bergman, Federico Fellini, and Akira Kurosawa. Academic attention to Corman came slowly. There was a swell of interest in the late 1960s and thereafter, identifying him as a low-budget auteur who maintained a distinctive set of themes unifying a diverse body of work, but it happened just as he retreated from directing, only sporadically returning to the director’s chair. Though Corman directed around fifty films, that count is vastly outstripped by his films as a producer, a role he regularly occupies to this day. General public appreciation for Corman peaked with his 2009 Honorary Academy Award and the celebratory documentary Corman’s World: Exploits of a Hollywood Rebel (2011).
Roger Corman
“B级片之王。”“流行电影的教皇。”“新好莱坞的精神教父。“邪教之王”。罗杰·科曼(Roger Corman)是一位杰出的电影制作人,他有许多绰号,既有名声,也有骂名。大家都说,科曼是一个安静、谦逊的左翼政治人物,但他却是一个冷酷无情的商人和毫无歉意的资本家,他的节俭和创新被奉为好莱坞传奇。他在20世纪50年代和60年代作为导演,主要为美国国际电影公司(AIP)工作,作品丰富多彩:科幻片、黑帮片、赛车片、摩托车片、性喜剧、西部片。然而,他最令人难忘的无疑是他的恐怖电影,尤其是改编自埃德加·爱伦·坡故事的中等成本系列电影,其中大部分由文森特·普莱斯主演。他还以培养新人而闻名,为许多演员和导演提供了早期的机会;他成功的弟子们也让他在《教父2》(1974)和《沉默的羔羊》(1991)等电影中客串。科曼在商业方面也是一位创新者。1959年,他和他的兄弟吉恩·科曼(Gene Corman)创立了一家名为Filmgroup的发行公司;它在几年内就倒闭了,但这是1970年科曼更成功的新世界影业公司成立的前奏。新世界以廉价的剥削电影为导向,但也负责英格玛·伯格曼、费德里科·费里尼和黑泽明等导演的许多国际艺术电影在美国的发行。学术界对科曼的关注来得很慢。在20世纪60年代末及之后,人们对他的兴趣高涨,认为他是一位低成本的导演,他保持了一套独特的主题,统一了各种各样的作品,但这发生在他退出导演的时候,只是偶尔回到导演的椅子上。虽然科曼导演了大约50部电影,但他作为制片人的电影远远超过了这个数字,直到今天他还经常担任这个角色。公众对科曼的赞赏随着他2009年的奥斯卡荣誉奖和庆祝纪录片《科曼的世界:好莱坞反叛者的事迹》(2011)而达到顶峰。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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