{"title":"The Uncomfortable Comedies","authors":"T. Ryan","doi":"10.2307/j.ctvgs08sg.8","DOIUrl":null,"url":null,"abstract":"This chapter examines the subversive aspects of Sirk’s comedies, especially regarding the ways in which their emphasis is on the situation rather than the resolution, on the problems that divide the characters rather than on the contrivances that suggest that all will be well after the final credits have rolled.","PeriodicalId":321511,"journal":{"name":"The Films of Douglas Sirk","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Films of Douglas Sirk","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvgs08sg.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines the subversive aspects of Sirk’s comedies, especially regarding the ways in which their emphasis is on the situation rather than the resolution, on the problems that divide the characters rather than on the contrivances that suggest that all will be well after the final credits have rolled.