{"title":"Emerging Patterns of Authority in Early Shiʿism: al-Mukhtār and the Aesthetics of Persuasion","authors":"Torsten Hylén","doi":"10.1163/24682470-12340037","DOIUrl":null,"url":null,"abstract":"\nIn this study the author examines some aspects of authority in the movement of the Shiʿite leader al-Mukhtār (d. 67/687). The notion of religious aesthetics as developed by Birgit Meyer is used as an analytical tool. It is argued that al-Mukhtār accomplished his political endeavour partly by introducing and controlling three “aesthetic forms” which functioned as “media” between the people and the deceased ʿAlī b. Abī Ṭālib: his claim to act on behalf of ʿAlī’s son Ibn al-Ḥanafiyya, whom he called al-mahdī, “the rightly guided”; his call to revenge for the killing of ʿAlī’s son Ḥusayn; and his exhibiting of a chair that he claimed had belonged to ʿAlī. The accounts of these three media, the author furthermore argues, have an historical foundation. Finally he holds that through these media al-Mukhtār was able to channel the needs and aspirations of many of the Shiites of Kufa into political action.","PeriodicalId":107625,"journal":{"name":"Shii Studies Review","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shii Studies Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/24682470-12340037","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this study the author examines some aspects of authority in the movement of the Shiʿite leader al-Mukhtār (d. 67/687). The notion of religious aesthetics as developed by Birgit Meyer is used as an analytical tool. It is argued that al-Mukhtār accomplished his political endeavour partly by introducing and controlling three “aesthetic forms” which functioned as “media” between the people and the deceased ʿAlī b. Abī Ṭālib: his claim to act on behalf of ʿAlī’s son Ibn al-Ḥanafiyya, whom he called al-mahdī, “the rightly guided”; his call to revenge for the killing of ʿAlī’s son Ḥusayn; and his exhibiting of a chair that he claimed had belonged to ʿAlī. The accounts of these three media, the author furthermore argues, have an historical foundation. Finally he holds that through these media al-Mukhtār was able to channel the needs and aspirations of many of the Shiites of Kufa into political action.