Stories of Milk, Honey and Bile: Representing Diasporic African Foreigner’s Identities in South African Fiction

M. Vambe
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引用次数: 2

Abstract

This chapter explores representations of diasporic black African foreigners’ identities in David Mutasa’s novel, Nyambo Dze Joni ( Stories from Johannesburg ) (2000), and in Welcome to Our Hillbrow (1999), written by the South African author, Phaswane Mpe. The two novels expose the hypocrisy of the South African officials and masses who scapegoat African black foreigners for crimes ranging from snatching of local jobs, taking local girls and drug peddling. For most African black foreigners and some local black South African citizens, diasporic experience in the new nation is a paradoxical physical space and spiritual experience in which stories of milk, honey and bitter bile might be authorised to capture the fact of being doubled as both potential subject and citizen. Despite experiencing bare lives characterised by nervousness and precarities, most black African foreigners in Johannesburg or Joni command, recall and deploy multiple identities whenever required to confront the ugly underbelly of the physical and verbal violence of xenophobia. Thus, an irony inherent in African diasporic experiences is that most black foreigners appear to retain some semblance of humanity and organise their worlds relatively creatively, and becoming successful by immigrants’ standards, in the most hostile circumstances.
牛奶、蜂蜜和胆汁的故事:南非小说中散居的非洲外国人的身份表征
本章探讨了大卫·穆塔萨的小说《约翰内斯堡故事》(2000)和南非作家帕斯瓦内·姆佩的《欢迎来到我们的丘陵》(1999)中散居的非洲黑人外国人身份的表现。这两部小说揭露了南非官员和民众的虚伪,他们把非洲黑人外国人的罪行,从抢夺当地人的工作,绑架当地女孩到贩卖毒品,都当作替罪羊。对于大多数非洲黑人外国人和一些当地黑人南非公民来说,在这个新国家的流散经历是一种矛盾的物理空间和精神体验,其中关于牛奶、蜂蜜和苦胆汁的故事可能被授权捕捉到作为潜在主体和公民双重身份的事实。尽管经历了以紧张和不稳定为特征的赤裸裸的生活,约翰内斯堡或乔尼的大多数非洲黑人外国人在需要面对仇外心理的身体和语言暴力的丑陋弱点时,都会指挥、回忆和部署多重身份。因此,非洲散居经历中固有的一个讽刺是,大多数黑人外国人似乎保留了一些人性的表象,并相对创造性地组织他们的世界,并在最敌对的环境中以移民的标准取得成功。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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