Urban regeneration through culture

Jonathan Ward, P. Hubbard
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引用次数: 1

Abstract

There is now a substantial academic literature in urban studies critiquing the way that restrictive ideas of culture are deployed in urban policy, to the exclusion of many forms of vernacular creativity whose role in urban life remains unacknowledged. The way that the visual arts are often deemed an appropriate mechanism for urban regeneration is a case in point, with many schemes to reinvigorate declining or shrinking cities pursuing strategies based on the creation of arts quarters or flagship art galleries. This chapter examines the consequences of such strategies, taking the example of Folkestone (England), a town struggling with legacies of post-industrialism associated with the decline of its port status. Exploring the way that Folkestone is being reinvented as a ‘cultural destination’, the chapter highlights the limitations of this approach, focusing on the way that current policies have alienated and excluded certain forms of local creativity at the same time they have encouraged a putative gentrification process that threatens to displace those that arts-based gentrification set out to assist.
通过文化进行城市更新
现在,在城市研究中有大量的学术文献批评了在城市政策中部署限制性文化思想的方式,排除了许多形式的本土创造力,这些创造力在城市生活中的作用仍未得到承认。视觉艺术通常被认为是城市再生的适当机制,这是一个很好的例子,许多重振衰落或萎缩城市的计划都采用基于创建艺术区或旗舰艺术画廊的策略。本章考察了这种策略的后果,以福克斯顿(英格兰)为例,这是一个与后工业主义遗留问题作斗争的城镇,与港口地位的下降有关。探索Folkestone作为“文化目的地”的重塑方式,本章强调了这种方法的局限性,重点关注当前政策疏远和排除某些形式的当地创造力的方式,同时他们鼓励了假定的中产阶级化过程,这可能会取代那些以艺术为基础的中产阶级化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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