The One-footed Roller Skater. A Visual Ethnography of Contemporary Cuba

Mădălina Cristea
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Abstract

"This article deals with scarcity of goods, consumption, and the ethics of photographing scarcity of goods in contemporary Cuba. It is based on a six-month ethnographic research conducted in 2015 and 2018 respectively and shows some of the photographs I took during these two visits. In the first part I discuss the scarcity and distribution of goods in and out of socialist environments, differences between capitalism and communism and non-traditional methods of consumption. How do desires of consumption impact people in contemporary communist Cuban society? What is the role of Cuban diaspora in sending so-called capitalist goods to Cuba? It also draws a connecting line between a state-controlled communist economy and specific forms of capitalist entrepreneurship, through the existence of a black market and the distribution of goods between people. The second part of the article questions my position in the field as an outsider who was gradually familiarized with the Cuban understanding of the world more generally, and of consumption specifically. How did locals react to photographs taken by foreigners like me? How can two children share one pair of roller skates and distribute their happiness? Making visible certain aspects of scarcity in contemporary communist Cuban society made me realize that photography has a profound ethical dimension."
单脚滑旱冰者。当代古巴的视觉民族志
“这篇文章讨论了当代古巴商品短缺、消费以及拍摄商品短缺的伦理问题。它是基于2015年和2018年分别进行的为期六个月的人种学研究,并展示了我在这两次访问期间拍摄的一些照片。在第一部分中,我讨论了社会主义环境内外商品的稀缺性和分配,资本主义和共产主义之间的差异以及非传统的消费方式。消费欲望如何影响当代共产主义古巴社会的人们?古巴侨民在向古巴运送所谓的资本主义商品方面发挥了什么作用?它还通过黑市的存在和人与人之间的商品分配,在国家控制的共产主义经济和特定形式的资本主义企业家精神之间划出了一条连接线。文章的第二部分质疑我在这个领域的地位,作为一个逐渐熟悉古巴人对世界的理解的局外人,特别是对消费的理解。当地人对像我这样的外国人拍的照片有什么反应?两个孩子怎么能共享一双旱冰鞋,分配他们的快乐呢?让人们看到当代共产主义古巴社会中某些匮乏的方面,让我意识到摄影具有深刻的道德层面。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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