Jonathan Goldberg

Marcie Frank
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引用次数: 0

Abstract

Astonishingly prolific, literary theorist Jonathan Goldberg has published fourteen books, and edited or coedited five more. Goldberg took his PhD in 1968 from Columbia University with a dissertation on John Donne’s Devotions, supervised by Edward Tayler. Widely recognized as a meticulous scholar and a writer of dazzling and playful prose, Goldberg has published on all the major authors of the English Renaissance. His early work provided models of how to use the most significant paradigms of post-structuralist literary theory in the study of Renaissance literature. He helped to inaugurate queer Renaissance studies in the 1990s with Sodometries: Renaissance Texts, Modern Sexualities (1992) and Queering the Renaissance (1994). Along with Eve Kosofsky Sedgwick, Michael Moon, and Judith Butler, Goldberg played a vital role in disseminating queer theory as a scholar, a coeditor of Series Q at Duke University Press, and as a teacher. Goldberg’s thinking has always been centripetal and transversal. He has worked across numerous study areas, including Renaissance and contemporary, English and American, homo and hetero, gay and queer, men and women, and gay and lesbian. He traverses both geography and temporality, analyzing the discourses of sodomy in the Old and New Worlds, and bringing Shakespeare’s Tempest together with its reception in 20th-century Caribbean writing. He has written about Renaissance and 20th-century women writers alongside their male counterparts as well as on their own. He has worked across media, analyzing the paintings of Tintoretto, the opera of Beethoven, and the films of Hitchcock, Fassbinder, and Todd Haynes. He has upheld the same rigorous standards of scholarship in everything he has published. Goldberg has served the profession of literary studies beyond the boundaries of the early modern period, in no small part by calling them into question. In its coherence, his oeuvre marks out the territory upon which literary interpretation stakes its claims to intellectual value beyond period specialization and for the rest of the humanities. Now Distinguished Arts and Sciences Professor Emeritus at Emory University, previously Goldberg was Sir William Osler Professor of English at The Johns Hopkins University (1986–2006), where he also served as senior editor at ELH (2002–2006). He also taught at Duke University (1995–1998), Brown University (1985–1986), and Temple University (1968–1985). In addition to his own scholarship, Goldberg edited a posthumous collection of Eve Kosofsky Sedgwick’s writing, The Weather in Proust (2011), and coedited a collection of essays, This Distracted Globe: Worldmaking in Early Modern Literature (2016), and has edited Milton (1991).
乔纳森·戈德堡
惊人的多产,文学理论家乔纳森·戈德堡已经出版了14本书,并编辑或合编了5本书。戈德堡1968年在哥伦比亚大学获得博士学位,论文题目是《约翰·多恩的奉献》,导师是爱德华·泰勒。戈德堡被广泛认为是一位一丝不苟的学者,他的散文令人眼花缭乱,有趣,他发表了关于英国文艺复兴时期所有主要作家的文章。他的早期工作为如何在文艺复兴文学研究中使用最重要的后结构主义文学理论范式提供了模型。他在20世纪90年代通过《鸡奸:文艺复兴时期的文本》、《现代性行为》(1992)和《文艺复兴时期的酷儿》(1994)帮助开创了文艺复兴时期的酷儿研究。戈德堡与伊芙·科索夫斯基·塞奇威克、迈克尔·穆恩和朱迪思·巴特勒一起,作为一名学者、杜克大学出版社《Q系列》的共同编辑和一名教师,在传播酷儿理论方面发挥了至关重要的作用。戈德堡的思想一直是向心和横向的。他研究过许多领域,包括文艺复兴和当代,英国和美国,同性恋和异性恋,同性恋和酷儿,男人和女人,同性恋和女同性恋。他穿越了地理和时间,分析了旧世界和新世界的鸡奸话语,并将莎士比亚的《暴风雨》与20世纪加勒比文学的接受联系在一起。他写过文艺复兴时期和20世纪女性作家的作品,既有男性作家的作品,也有女性作家的作品。他研究过各种媒体,分析过丁托列托的画作、贝多芬的歌剧,以及希区柯克、法斯宾德和托德·海恩斯的电影。他在发表的每一篇文章中都坚持同样严格的学术标准。戈德堡对文学研究的贡献超越了早期现代的界限,在很大程度上是通过质疑文学研究。在其连贯性中,他的作品标志着文学解释超越时期专业化和其他人文学科的知识价值的领土。现为埃默里大学杰出艺术与科学荣誉教授,曾任约翰霍普金斯大学威廉·奥斯勒爵士英语教授(1986-2006),并担任ELH高级编辑(2002-2006)。他还曾任教于杜克大学(1995-1998)、布朗大学(1985-1986)和天普大学(1968-1985)。除了自己的学术研究,戈德堡还编辑了伊芙·科索夫斯基·塞奇威克的遗作《普鲁斯特的天气》(2011),并与人合编了散文集《这个分心的地球:早期现代文学中的世界形成》(2016),还编辑了弥尔顿(1991)。
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