The 1890s

I. Bradley
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Abstract

Arthur Sullivan’s final decade was overshadowed by increasing and debilitating ill health and growing criticism of the light-weight nature of his work by critics associated with the English Musical Renaissance centred around two younger composers, C.H. Parry and C.V. Stanford. Sullivan did at last produce the grand opera, Ivanhoe (1891), which he had wanted to write for so long. He also continued to write comic operas for the Savoy Theatre, most of them with librettists other than Gilbert. He wrote a ballet and a hymn tune for Queen Victoria’s Diamond Jubilee, set a patriotic song by Rudyard Kipling to raise funds for the families of troops serving in the Boer War, and wrote a Te Deum to be used when that war ended. He died in 1900, mourned and remembered as much as a church musician and for his sacred works as for his comic operas.
1890年代
亚瑟·沙利文的最后十年被越来越多的健康问题和越来越多的批评所笼罩,这些批评与英国音乐文艺复兴有关,主要集中在两位年轻的作曲家,C.H.帕里和C.V.斯坦福。沙利文最终完成了他一直想写的大歌剧《艾芬豪》(1891)。他还继续为萨沃伊剧院写喜剧歌剧,其中大部分是与吉尔伯特以外的剧作家合作的。他为维多利亚女王的钻石周年庆典创作了芭蕾舞剧和赞美诗,为在布尔战争中服役的士兵家属筹集资金而创作了一首拉迪亚德·吉卜林的爱国歌曲,并为战争结束时创作了一首《圣歌》。他于1900年去世,人们对他的哀悼和怀念,就像对一个教堂音乐家一样,对他的神圣作品和他的喜剧歌剧一样。
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