A Testimony from the Postwar Period (2008)

Nakai Kim Kōichi, Kim Mc Nelly
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Abstract

From Wartime to the Postwar Period—The Rebirth of Advertising Before speaking of the situation within the postwar advertising industry, let me touch on the state of things during the war. With the wartime paper shortage, newspapers became single-page collotypes. I was at the battlefront by then, so I only heard about this later. Evidently, with the war and shortages, there was no room for newspapers to waste on advertising. However, corporations still had publicity managers. Arai Seiichirō and Imaizumi Takeji, who were working for Morinaga and Marumiya at the time, were saying we can’t just sit around and do nothing: we should be working for our country.1 So they called on their fellow advertising managers and in 1940 formed the Society for the Study of Media Technology (Hōdō Gijutsu Kenkyūkai).2 Even the government realized their need for a news media outlet and created a Media Department (Hōdōbu). Hanamori Yasuji, who later became the publishing editor of the magazine Notebook of Everyday Life (Kurashi no techō, 1948-present), became their external civilian liaison. In making him the liaison, first Arai and Imaizumi, then later Yamana Ayao, Itō Kenji, Maekawa Kunio, Hara Hiromu, Fujimoto Michio, Takada Shōjirō and other advertising managers cooperated in the war.3 After the end of the war, the Tokyo Chamber of Commerce and Industry (Tōkyō Shōkō Kaigisho) asserted that the reconstruction of Japan was to begin with the restoration of commerce and industry. Today we have the Federation of Economic Organizations (Keidanren) and the Association of Corporate Executives (Keizai Dōyūkai), but at the time it was the Tokyo Chamber of Commerce that served this role. At the chamber’s request, Arai and Imaizumi called upon their wartime associates and formed a new advertisement research society in the postwar period, which would become a forerunner to the later Tokyo Art Director’s Club (Tōkyō Āto Direkutāzu Kurabu, ADC). A Testimony from the Postwar Period (2008) Nakai Kōichi
《战后的见证》(2008)
从战时到战后——广告的重生在谈到战后广告业的情况之前,让我先谈谈战争时期的情况。由于战时纸张短缺,报纸变成了单页印刷。那时候我在前线,所以我是后来才听说的。显然,由于战争和物资短缺,报纸没有空间浪费在广告上。然而,公司仍然有宣传经理。当时为森永和丸宫工作的新井诚一和今泉武二说,我们不能无所事事,我们应该为我们的国家工作因此,他们号召其他广告经理,并于1940年成立了媒体技术研究学会(Hōdō Gijutsu Kenkyūkai)政府也意识到需要新闻媒体,成立了媒体部(Hōdōbu)。后来成为《日常生活笔记》杂志(Kurashi no techhi, 1948年至今)出版编辑的花森安次成为他们的对外民间联络人。在使他成为联络人的过程中,首先是新井和今泉,后来是山名绫夫、ititkenji、前川国雄、原博信、藤本道夫、高田Shōjirō等广告经理在战争中合作战后,东京工商会(Tōkyō Shōkō Kaigisho)主张,日本的重建应从工商业的恢复开始。今天,我们有经济团体联合会(Keidanren)和企业经营者协会(Keizai Dōyūkai),但当时扮演这个角色的是东京商会。在商会的要求下,新井和今津召集了他们战时的同事,在战后成立了一个新的广告研究协会,这将成为后来的东京艺术总监俱乐部(Tōkyō Āto Direkutāzu Kurabu, ADC)的前身。战后时期的见证(2008)中井Kōichi
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