Marie Reidemeister and Otto Neurath: interwoven lives and work

Christopher Burke, G. Sandner
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Abstract

Otto Neurath and Marie Reidemeister were both part of an interdisciplinary team which developed the ‘Vienna Method of Pictorial Statistics’ (later known as Isotype). Neurath is usually credited as the ‘inventor’ of Isotype, yet Reidemeister was a key figure in this work of visual education from the beginning. After Neurath’s death in 1945, she continued the Isotype work for two and a half decades. Marie Reidemeister also became a historian of Isotype and, in the 1970s and 1980s, she was involved in editing publications about Otto Neurath, helping to shape and correct the record of his life and work. This paper explores the challenges faced by female surviving partners who have worked intensively with their spouses for a long time and later work on their legacy. What problems arise from the effort to honour the deceased partner for one’s own visibility as a researcher? Marie Reidemeister’s role and attitude deserve examination for not fully conforming to the stereotype of a widow anxious to control the reputation of a deceased partner; neither did she attempt to present herself as the ‘great woman behind a great man’, instead calmly recording facts that establish her as a pioneer of information design.
Marie Reidemeister和Otto Neurath:生活和工作交织在一起
Otto Neurath和Marie Reidemeister都是一个跨学科团队的成员,该团队开发了“维也纳图形统计方法”(后来被称为Isotype)。Neurath通常被认为是Isotype的“发明者”,然而Reidemeister从一开始就是视觉教育工作的关键人物。1945年纽赖特去世后,她继续进行了25年的同种型工作。Marie Reidemeister也成为了Isotype的历史学家,在20世纪70年代和80年代,她参与了关于Otto Neurath的出版物的编辑,帮助塑造和纠正他的生活和工作记录。本文探讨了幸存的女性伴侣所面临的挑战,她们长期与配偶密切合作,后来又为其遗产工作。为了自己作为研究人员的知名度而努力纪念已故的伴侣,会产生什么问题?玛丽·雷德米斯特的角色和态度值得审视,因为她没有完全符合寡妇急于控制已故伴侣声誉的刻板印象;她也没有试图将自己呈现为“一个伟大男人背后的伟大女人”,而是冷静地记录了一些事实,这些事实使她成为信息设计的先驱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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