Fashioning Holy Figures

Lynn S. Neal
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Abstract

This chapter chronicles how the fashion industry again expanded its use of Christian elements by placing Christian holy figures onto designer garments in the 1990s. Prior to this decade, designers shied away from incorporating representational religious figures in their designs—a trend influenced by iconoclastic controversy in the history of Christianity. The chapter first examines early instances of this trend with the designs of Rei Kawakubo, Kansai Yamamoto, and Gianni Versace. It then analyzes the controversy, lack of comment, and celebration that accompanied subsequent designers’ forays into more figural designs. The chapter places a particular emphasis on Dolce & Gabbana’s “Stromboli” collection, which incorporated numerous images of the Virgin Mary and was the first collection thoroughly dedicated to a Christian theme. It met with widespread celebration from fashion critics and helped establish a Marian focus in fashion design.
塑造圣人形象
这一章记录了20世纪90年代,时尚产业如何通过将基督教神圣人物放在设计师服装上,再次扩大基督教元素的使用。在这十年之前,设计师们避免在他们的设计中加入具有代表性的宗教人物——这一趋势受到基督教历史上反传统争议的影响。本章首先用川久保玲、山本关西和范思哲的设计来考察这一趋势的早期实例。然后,它分析了争议,缺乏评论,和庆祝,伴随着后来的设计师尝试更形象的设计。这一章特别强调了杜嘉班纳(Dolce & Gabbana)的“Stromboli”系列,该系列融合了许多圣母玛利亚的形象,是第一个完全以基督教为主题的系列。它受到了时尚评论家的广泛庆祝,并帮助玛丽安建立了时尚设计的焦点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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