Cultural and Religious Tourism in Majuli With Special Reference to Auniati Sattra And Uttar Kamalabari Sattra

G. Goswami, Mousumi Sharma
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Abstract

The paper attempts to study the potential of cultural and religious tourism industry in Majuli as a whole and Auniati Sattra and Uttar Kamalabari Sattra of the island in particular. The scope of tourism in Majuli, be it eco-tourism or religious tourism and cultural tourism is tremendous with nature’s opulence in full display here. Majuli, renowned as one of the world’s largest freshwater river island is a conglomeration of Vaishnavite religion, natural beauty, art and craft, ethnic culture and traditions which needs to be explored and showcased to the world. The Sattras (Vaishnava monasteries) and their rich heritage and cultures have given Majuli the status and pride of being the “Cultural Capital of Assam”. Today people have shifted from the traditional ways of touring in the form of going to hill stations, historical places etc. to more adventurous and unexplored destinations. Adding to the other attractions of northeast India, Majuli stands out as a jewel in the crown with its total package of natural beauty, religious monasteries, eco-tourism etc. An attempt has been made to present the uniqueness of Majuli’s Sattras, its different congregational prayer services, a distinct dance form called Sattriya and an about to be an extinct art form mask making as a potential tool to put Majuli in the tourist map of India and the world.
马居里的文化与宗教旅游——以佛教和北方邦佛教为例
本文试图研究马居里整体文化和宗教旅游产业的潜力,特别是岛上的Auniati Sattra和Uttar Kamalabari Sattra。无论是生态旅游还是宗教旅游、文化旅游,马居里的旅游范围都是巨大的,大自然的丰富性在这里得到了充分的展示。作为世界上最大的淡水河岛之一,马uli是毗湿奴派宗教、自然美景、艺术和工艺、民族文化和传统的集合体,需要探索和向世界展示。萨特拉(毗湿奴派寺院)及其丰富的遗产和文化赋予了马祖利作为“阿萨姆邦文化之都”的地位和自豪。今天,人们已经从传统的去山间车站、历史名胜等旅游方式转向了更具冒险性和未开发的目的地。除了印度东北部的其他景点外,马祖里作为皇冠上的一颗宝石,以其自然美景、宗教寺院、生态旅游等综合服务而脱颖而出。人们试图展示马uli的独特之处,它不同的祈祷仪式,一种独特的舞蹈形式,叫做Sattriya,以及一种即将灭绝的艺术形式面具制作,作为一种潜在的工具,把马uli放在印度和世界的旅游地图上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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