Resilience Embodied in Conversations and Creativity During a Covid Context

Beverley Hayward
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Abstract

Many working-class, disabled, mature women face great adversity in the academy in their (in)ability to play the game. Lacking the necessary cultural capitals to feel at home in the spaces of higher education, the women returnees describe themselves as interlopers in the education machine. Yet this positioning was overcome in a collective community of creative resilience. It was one outcome of the author’s doctorial research at the institution in which the research was conducted, the University for the Creative Arts. Here the presentation of post-structural and postmodern lecture programmes encouraged new ways of knowledge production and meaning making. Again, this exploration of resilience was considered during the pandemic, as conversations between the researcher and the participants saw their resilient subjectivities changing. The physical containment in lockdown provoked new and innovative transformations in learning and development. Whilst a creative resilience prevailed, the confinements and constraints of freedoms were not without their challenges to their mental health and well-being. This paper explores the multiplicity of resiliencies as the women navigated their way in and now outside the academy in a covid context. Conversations continued as the artist-educator subjectivity triumphed during adversity in creative forms.
Covid背景下对话和创造力中体现的韧性
许多工人阶级的、残疾的、成熟的女性在学院里面临着巨大的逆境,她们在比赛中的能力很差。由于缺乏在高等教育领域感到自在的必要文化资本,海归女性将自己描述为教育机器中的闯入者。然而,这种定位在一个具有创造性弹性的集体中被克服了。这是作者在创意艺术大学(University for the Creative Arts)进行博士研究的成果之一。在这里,后结构和后现代的讲座节目鼓励了知识生产和意义创造的新方式。在大流行期间,由于研究人员和参与者之间的对话看到他们的弹性主体性发生了变化,因此再次考虑了这种对弹性的探索。封锁期间的物理封锁在学习和发展方面引发了新的和创新的变革。虽然创造性的复原力占了上风,但对自由的限制和限制并非没有对他们的心理健康和福祉构成挑战。本文探讨了在新冠疫情背景下,女性在学院内外的适应能力的多样性。当艺术家-教育家的主体性在逆境中以创造性的形式取得胜利时,对话继续进行。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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