Compositional Format and Spell Sequencing in Early Versions of the Book of the Dead

P. Dorman
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引用次数: 2

Abstract

Recent studies of the early development of the Book of the Dead have tended to focus on the content of this group of spells, the objects on which the spells are written, the sequences in which they occur, and their early prototypes, which appear on Middle Kingdom coffins. The physical presentation of the first texts that can be described as fully in the Book of the Dead tradition, however, illustrates how scribes addressed the challenges of transmission of this mortuary corpus hand in hand with the evolution of novel burial practices in the Theban region beginning in the late Second Intermediate period, including the introduction of anthropomorphic coffins, linen shrouds, and papyrus rolls. Both hieratic and cursive hieroglyphic scripts were employed on these media, along with compositional formats suitable to them, as well as the appearance of scribal sketches that evolved into the vignettes for which the quintessential New Kingdom Books of the Dead are justly renowned. An “Ahmoside” sequencing tradition prior to the co-rule of Hatshepsut/Thutmose III is further defined, and the codicil to BD 72 is examined for its relation to the use of linen versus papyrus in Theban burials of the period. http://dx.doi.org/10.5913/jarce.55.2019.a003
《亡灵之书》早期版本的组成格式和咒语顺序
最近对《亡灵之书》早期发展的研究倾向于关注这组咒语的内容,咒语所写的对象,它们出现的顺序,以及它们早期的原型,这些原型出现在中央王国的棺材上。然而,第一批文本的实物呈现可以完全描述为《死亡之书》的传统,说明了文士如何应对这种殡葬库传播的挑战,以及从第二中间时期晚期开始的底比斯地区新型埋葬习俗的演变,包括引入人格化的棺材、亚麻裹尸布和纸莎草卷。在这些媒介上使用了象形文字和草书,以及适合它们的构图格式,以及演变成小插图的抄写草图,这些小插图正是《新王国亡灵书》的精髓之作。进一步定义了哈特谢普苏特/图特摩斯三世共同统治之前的“阿赫莫苷”排序传统,并检查了bd72的附录,以确定其与在该时期底比斯墓葬中使用亚麻与纸莎草的关系。http://dx.doi.org/10.5913/jarce.55.2019.a003
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