Didaktik informed teaching arrangements in preschool exemplified by multivocal music teaching using digital technology as a tool

Y. Holmberg
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Abstract

The digital era has changed how children experience music. Few studies have been undertaken from a didaktik perspective with a focus on digitalized music teaching in the preschool setting. The purpose of the article is to develop knowledge of what can characterize music teaching using digital technology as a tool in the preschool from a didaktik perspective. In a research and development programme involving 19 preschools/departments, preschool teachers co-planned, conducted, and co-evaluated music teaching. The empirical material consists of 19 co-plans, 3.5 hours of video and 18 co-evaluations of music teaching. The analysis used an abductive approach. First, an empirically based analysis highlighting words in relation to didaktik questions was undertaken, followed by a theory-based analytical path using music didaktik concepts. The results show that music teaching using digital technology as a tool can be divided into two main tracks: one in which recorded music serves as a basis, and the other as a facilitator of music creation. Although music teaching using digital technology as a tool poses knowledge-, experience- and technology-related challenges for teachers, the digital age nevertheless opens up opportunities for creating and preserving music in preschool. The analysis culminates in two didaktik models for "multivocal digitalized music teaching". 
Didaktik影响了学前教育的教学安排,以使用数字技术作为工具的多声部音乐教学为例
数字时代改变了孩子们体验音乐的方式。很少有研究从didaktik的角度来关注学前环境中的数字化音乐教学。本文的目的是从didaktik的角度出发,了解使用数字技术作为学前音乐教学工具的特征。在一项涉及19个幼稚园/系的研究发展计划中,幼稚园教师共同规划、实施和评估音乐教学。实验材料包括19个共同计划,3.5小时的视频和18个音乐教学的共同评价。分析采用了溯因法。首先,进行了基于经验的分析,突出了与didaktik问题相关的单词,然后使用音乐didaktik概念进行了基于理论的分析路径。结果表明,以数字技术为工具的音乐教学可以分为两种主要轨道:一种是以录制音乐为基础,另一种是作为音乐创作的促进者。尽管使用数字技术作为工具的音乐教学给教师带来了知识、经验和技术方面的挑战,但数字时代仍然为学前音乐的创作和保存提供了机会。最后提出了“多声数字化音乐教学”的两种didaktik模式。
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