Enactychism: Enacting chance in creative material engagement

L. Malafouris
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引用次数: 3

Abstract

This paper reflects on the meaning of chance and the impact that the occurrence of ‘accidents’ have in the creative process. I draw insights from two main sources: material engagement theory and the art of ceramics. In particular, based on observations from my comparative anthropological study of creativity in pottery making I present a process-oriented enactivist vision of chance as a meaningful coincidence where flow and form diverge from the norm and give rise to creative gesture. First, I introduce the notion of enactychism (blending ‘enactivism’ and the Peircean concept of ‘tychism’ from the Greek word ‘tyche’ for ‘chance’) as a means to conceptualise the relationship between chance, agency and materiality. Then, I explore the relationship between chance and creative gesture and propose ways for tracking the operation of chance in action.
制定机制:在创造性的材料参与中制定机会
本文反思了机会的含义以及“意外”的发生对创作过程的影响。我从两个主要来源获得见解:材料接合理论和陶瓷艺术。特别是,基于我对陶器制作创造力的比较人类学研究的观察,我提出了一种以过程为导向的激进主义视角,认为机会是一种有意义的巧合,在这种巧合中,流动和形式偏离了规范,并产生了创造性的姿态。首先,我介绍了“制定主义”的概念(融合了“行动主义”一词和来自希腊语“机会”的“tyche”一词的“tychism”概念),作为一种概念化机会、代理和物质性之间关系的手段。然后,我探讨了机会与创造性手势之间的关系,并提出了在行动中追踪机会运作的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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