Musical Literature in Libraries of the Ukrainian SSR as the Object of Censorship (1946 - 1952)

O. Fedotova
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Abstract

MUSICAL LITERATURE IN LIBRARIES OF THE UKRAINIAN SSR AS THE OBJECT OF CENSORSHIP (1946-1952) The article deals with the direction o f the Soviet censorship institutes’ work on the ideological control o f musical literature in the Soviet Ukraine during 1946-1952. The purpose o f the proposed article is to show features o f the implementation o f censorship o f music works in the libraries o f the Ukrainian SSR. In his work the author used such methods: a retrospective, source analysis, problem-chronological, descriptive, analytical, theoretical generalization, and others. The study describes the practice o f reviewing ideologically harmful works o f the press, which were subject to withdrawal from the funds o f the public use. The specificity o f the restriction o f musical works in the course o f inspections o f library funds disclosed by the researcher. Special attention is paid to the lists o f authors o f music, music treatments and texts that were declared «enemies o f the people». Preparation o f the proscriptions o f books banned personalities o f the Book chamber o f Ukraine was analyzed by author. As a result o f the analysis o f archival sources the scientist showed mechanism for the prohibition o f printed editions, the process o f transferring publications in closed funds. . The author came to the conclusion that in the late 1940’s-early 1950-ies musical literature was limited, it did not correspond to the Soviet ideology, especially the works o f composers and musicologists, who were called «bourgeois nationalists». As author proves, the limitations o f printed works subsequently had negative impact on the further development o f Ukrainian culture. K e y w o r d s : musical literature, a library, Soviet censorship, ideological control, restriction o f musical publications, checking libraries, closed funds, prohibition o f printed editions, proscriptions.
作为审查对象的乌克兰苏维埃图书馆音乐文献(1946 - 1952)
作为审查对象的乌克兰苏维埃图书馆音乐文学(1946-1952年)本文论述了苏联审查机构在1946-1952年苏维埃乌克兰音乐文学思想控制方面的工作方向。本文的目的是展示乌克兰苏维埃社会主义共和国图书馆对音乐作品实施审查的特点。在他的工作中,作者使用了这样的方法:回顾,来源分析,问题时间顺序,描述,分析,理论概括等。该研究描述了审查媒体意识形态有害作品的做法,这些作品可能会从公共使用的资金中撤出。研究人员披露的图书馆经费检查过程中音乐作品限制的特殊性。特别值得注意的是被宣布为“人民公敌”的音乐、音乐处理和文本的作者名单。作者分析了乌克兰书屋禁书的准备工作。通过对文献来源的分析,揭示了禁止出版的机制,以及在封闭基金中转移出版物的过程。作者认为,在20世纪40年代末至50年代初,音乐文学是有限的,它不符合苏联的意识形态,特别是作曲家和音乐学家的作品,他们被称为“资产阶级民族主义者”。作者证明,印刷作品的局限性随后对乌克兰文化的进一步发展产生了负面影响。他说:音乐文学,图书馆,苏联审查制度,意识形态控制,限制音乐出版物,检查图书馆,关闭基金,禁止印刷版本,取缔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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