{"title":"The Social Implications of the Factory Motif in Camille Pissarro’s Landscape Paintings of the 1870s","authors":"Kwi-Jin Kim","doi":"10.52799/jah.2021.12.41.277","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":338650,"journal":{"name":"Misulsa Yeongu : Journal of Art History","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Misulsa Yeongu : Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52799/jah.2021.12.41.277","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}