Translations of Kepler’s Astrological Writings Part III. Kepler on Astrological Theory and Doctrine Section 1. On Directions, 1601-1602

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Abstract

The treatise on directions is among the most difficult material in this collection of Kepler’s astrological writings, in terms of both translation and comprehension. Aside from discovering what Kepler is doing astrologically, many sentences in the treatise have to be read carefully to be fully understood. This is not astrology writing (or reading!) for the faint-hearted. We need to keep in mind that this treatise was never formally published; it exists only in this manuscript form. When Kepler uses the term ‘directions’ in this treatise, he does not always mean primary directions, as in the style of Ptolemy. Although he is comparing primary, or diurnal, motion to secondary, or zodiacal motion, Kepler’s system in general is more or less what modern astrologers would call secondary progressions, using a day for a year symbolism. But in his worked examples (in ‘On Directions’ these include his own chart and those of his children Heinrich and Susanna; and elsewhere the chart of Rudolf II1 ), he appears to be using, at different times, a variation on quotidian progressions, secondary progressions using solar arc in right ascension, and solar arc directions. He uses (mostly) right ascension for the Midheaven, oblique ascension for the Ascendant, and solar arc for both the Sun and the Moon. He does not direct any other planets. Greater detail of the way Kepler analysed directions can be found in his interpretation of Rudolf II’s chart. Kepler seems to take some standard techniques and improvise on them. He is not really ‘making things up’ but rather pushing against the boundary of standard techniques, just as he did in his work with aspects. It appears that Kepler’s techniques were 1) modifications of Ptolemaic ones, 2) modifications of Regiomontanus and 3) modifications of his mentor Tycho’s system, which appears to be similar to the modern idea of secondary progressions, though they are called directions. We can see this from the table at the end of Kepler’s interpretations of Rudolf II’s chart (see Part I.2.1, p. 100 in this volume). If we are to take anything away from this treatise, it is that Kepler privileges the motion of the Sun in developing a system for directions. But neither does he neglect the importance of the Moon, the Ascendant and the Midheaven. It is also striking how much emphasis he places on the relationship between the day, the month and the year, and how the present and the past intertwine. As Kepler eloquently puts it, ‘life is a multiplication of the first breath’. For the notes to this section, I am indebted to the astrological expertise of Joseph Crane, Nadine Harris, Bernadette Brady and Geoffrey Cornelius, who helped me immensely. For translation and palaeographic assistance, I am also indebted to Charles Burnett.
开普勒占星著作的翻译(三)。开普勒论占星理论与学说(1)《方向》,1601-1602
在开普勒的占星术著作中,无论是翻译还是理解,这篇关于方位的论文都是最困难的材料之一。除了发现开普勒在占星术上做了什么,论文中的许多句子都必须仔细阅读才能完全理解。这不是为胆小的人写的占星术文章(或阅读)。我们需要记住,这篇论文从未正式发表过;它只以这种手稿形式存在。当开普勒在这篇论文中使用“方向”一词时,他并不总是指主要的方向,就像托勒密的风格一样。虽然他将主要的或曰日的运动与次要的或曰黄道的运动进行比较,但开普勒的系统总体上或多或少是现代占星家所说的次要运动,用一天代表一年的象征意义。但在他的作品中(在《指路》中),这些例子包括他自己和他的孩子海因里希和苏珊娜的图表;在鲁道夫二世(Rudolf ii)的图表中,他似乎在不同的时间使用了日常级数的变化,利用赤经的太阳弧和太阳弧方向的次级级数。他(主要)用赤经表示中天,用斜升表示上升点,用太阳弧表示太阳和月亮。他没有指挥任何其他星球。开普勒分析方向的更多细节可以在他对鲁道夫二世的星图的解释中找到。开普勒似乎采用了一些标准的技术,并对其进行了即兴创作。他并不是真的在“编造”,而是在挑战标准技术的边界,就像他在方面的工作中所做的那样。开普勒的技术似乎是:1)对托勒密的技术进行修改;2)对雷吉蒙塔努的技术进行修改;3)对他的导师第谷的系统进行修改,第谷的系统似乎与现代的二次进行概念相似,尽管它们被称为方向。我们可以从开普勒对鲁道夫二世的图表的解释的末尾的表格中看到这一点(见本卷第1 .2.1部分,第100页)。如果我们要从这篇论文中得到什么,那就是开普勒在发展一个方向系统时特别注意了太阳的运动。但他也没有忽视月亮、上升点和中天的重要性。同样引人注目的是,他如此强调日、月、年之间的关系,以及现在和过去是如何交织在一起的。正如开普勒雄辩地指出的那样,“生命是第一次呼吸的乘法”。对于这一节的注释,我要感谢约瑟夫·克兰、纳丁·哈里斯、伯纳黛特·布雷迪和杰弗里·科尼利厄斯的占星专家,他们给了我很大的帮助。在翻译和古文字方面,我也感谢查尔斯·伯内特。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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