Teatr bohatera popularnego Europy Zachodniej a polska szopka kolędnicza

E. Tomaszewska
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Abstract

play Abstract: In the 18 th century, a number of puppet figures began to gain popular-ity. They appeared on the traveling scenes of theatre troupes almost throughout Europe. They were comic figures of the character of popular heroes, presented in the streets, squares and markets and speaking to audience in their own language. One part of them came from the comedy dell’arte (Pulcinella, Poliszynel, Guignol, Don Cristobal, and Pietruszka). The theatrical roots of the heroes who appeared in German states (Hanswurst, Kasperle, Kašparek, Gašparko) reached the Elizabethan theatre and are associated with the presence of wandering theatre of English actors. They combined Elizabethan theatre with traditional figure of a folk jester. Because for Poland it is a time of slow loss of independence for the benefit of neighboring countries, the theatre of the popular hero was not created. Instead, the form of szopka (a nativity play) was developing. Comparison of the functions and significance of these theatrical phenomena is the subject of this study. It is also an attempt to draw the attention of educators to the educational values of the Polish nativity play.
摘要:在18世纪,一些木偶人物开始流行起来。他们出现在几乎整个欧洲的剧团巡回演出的舞台上。他们是流行英雄性格的喜剧人物,出现在街道、广场和市场上,用他们自己的语言向观众讲话。其中一部分来自喜剧“艺术”(普尔奇内拉、波利兹涅尔、吉尼奥尔、唐·克里斯托瓦尔和彼得鲁什卡)。出现在德国国家的英雄的戏剧根源(Hanswurst, Kasperle, Kašparek, Gašparko)达到了伊丽莎白时期的戏剧,并与英国演员的流浪戏剧的存在有关。他们把伊丽莎白时代的戏剧和传统的民间小丑结合起来。因为对波兰来说,这是一个为了邻国的利益而慢慢失去独立的时期,所以没有创造出流行英雄的剧院。相反,szopka(一种圣诞剧)的形式正在发展。比较这些戏剧现象的功能和意义是本研究的主题。它也试图引起教育工作者对波兰耶稣诞生剧的教育价值的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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