{"title":"New Surprises for Haydn’s Surprise Symphony","authors":"Jeffrey Lyon, Brent Yorgason","doi":"10.1558/jfm.23880","DOIUrl":null,"url":null,"abstract":"In his score to the 1939 film We Are Not Alone, Max Steiner uses the melody from the second movement of Joseph Haydn’s Surprise Symphony forty-one times to represent different situations, places, emotions, and character development for Dr. David Newcome, played by Paul Muni. In each variation, Steiner adds an extra “surprise” to the theme. These variations include the use of dark textures, mode changes, reharmonization, chromaticism, meter changes, melodic variation, and the orchestration of diegetic music.","PeriodicalId":201559,"journal":{"name":"Journal of Film Music","volume":"60 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Film Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jfm.23880","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In his score to the 1939 film We Are Not Alone, Max Steiner uses the melody from the second movement of Joseph Haydn’s Surprise Symphony forty-one times to represent different situations, places, emotions, and character development for Dr. David Newcome, played by Paul Muni. In each variation, Steiner adds an extra “surprise” to the theme. These variations include the use of dark textures, mode changes, reharmonization, chromaticism, meter changes, melodic variation, and the orchestration of diegetic music.