New Surprises for Haydn’s Surprise Symphony

Jeffrey Lyon, Brent Yorgason
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Abstract

In his score to the 1939 film We Are Not Alone, Max Steiner uses the melody from the second movement of Joseph Haydn’s Surprise Symphony forty-one times to represent different situations, places, emotions, and character development for Dr. David Newcome, played by Paul Muni. In each variation, Steiner adds an extra “surprise” to the theme. These variations include the use of dark textures, mode changes, reharmonization, chromaticism, meter changes, melodic variation, and the orchestration of diegetic music.
海顿《惊喜交响曲》的新惊喜
在1939年电影《我们并不孤单》的配乐中,马克斯·施泰纳用了41次约瑟夫·海顿的《惊喜交响曲》第二乐章的旋律来表现保罗·穆尼饰演的大卫·纽科姆医生不同的情况、地点、情感和性格发展。在每一个变体中,斯坦纳都为主题添加了额外的“惊喜”。这些变化包括暗织体的使用、调式的变化、再和声、半音、节拍的变化、旋律的变化以及叙事音乐的编曲。
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