The Concept Of Licensing Authority Of The Architectural Work Modification Of Cultural Heritage Buildings

M. E. Sumiarni, Yustina Niken Sharaningtyas, S. Sefriani, Y. S. Pudyatmoko
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引用次数: 1

Abstract

This research aims to identify the licensing authority over architectural works and modification of designated Cultural Heritages. In addition, this research examines the antinomy of legal concepts, including the antinomy of the legal concept of a licensing authority, the antinomy of the legal concept of modification of creation, and the antinomy of the legal concept of cultural heritage. With normative research, this study reveals that there is no legal certainty, between the local and central government, concerning licensing authority to cultural heritage building adaptation. There is no such a unitary system or firm and clear SOPs, which has resulted in the demolition and destruction of cultural heritage buildings. There are differences of opinion regarding the authority to permit the alteration of architectural works of cultural heritage buildings that have been stipulated. Permits for the restoration of cultural heritage buildings are obtained not through a building permit but through BPPM DIY (Licensing and Investment Service). These permits include restoration permits, adaptation permits, and development permits, especially for revitalization and utilization. There is no balance between moral and economic rights of the owner of the cultural heritage building. The preservation is more likely to emphasize moral rights but still overlooking the economic rights of the creator/owner.
文化遗产建筑作品修改许可权限的概念
本研究旨在确定指定文化遗产的建筑工程和修改的许可权力。此外,本研究还考察了法律概念的矛盾性,包括许可当局法律概念的矛盾性、创作修改法律概念的矛盾性和文化遗产法律概念的矛盾性。与规范的研究,这项研究显示,没有法律确定性,地方和中央政府之间关于许可机关文化遗产建筑适应。没有这样一个统一的制度,也没有明确的标准操作规程,导致了文化遗产建筑的拆迁和破坏。关于允许对文化遗产建筑的建筑工程进行更改的权力,已经规定了不同的意见。修复文化遗产建筑的许可证不是通过建筑许可证,而是通过BPPM DIY(许可和投资服务)获得的。这些许可证包括恢复许可证、改造许可证和开发许可证,特别是振兴和利用许可证。文化遗产建筑所有者的道德权利和经济权利之间没有平衡。保存更有可能强调精神权利,但仍然忽视了创造者/所有者的经济权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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