Ecofeminism: The Portrayal of Women and Nature in a Passage to India

Khalif Rahma Riesty Fauzi
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Abstract

This study aims to analyze the types of female characters in A Passage to India by E.M. Forster and reveal how nature can emerge from females' self-consciousness in the novel. With an analytic-descriptive method, this article reveals female characters’ types and how women and nature link each other to emerge their self-consciousness. There are three types of female characters in the novel. They are stubborn and arrogant ladies represented by the British officers' wives, a warm-hearted and kind lady represented by Mrs. Moore, and a knowledgeable and enlightened young lady. Emerging the echoes in Marabar cave as one of the main triggers of incidents in the novel, Forster is trying to connect nature to awaken the main female characters' self-conscious. It deals with ecofeminism in which women and nature cannot be separated. Mrs. Moore was excited to reevaluate social norms and interpersonal interactions while facing the natural mounds that represent the immensity of the cosmos. Meanwhile, Adela had developed into a true person. Adela's feminine consciousness was awakened by echoes of nature, allowing her to finally complete the tough transition from adolescence to adulthood. In his novel, Forster exposed Britain`s failures and planned to find possible ways to transform the underdeveloped mind into the developed one, successfully creating and portraying female characters.Keywords: Ecofeminism, Female self-consciousness
生态女性主义:《印度游记》中对女性与自然的描绘
本研究旨在分析E.M.福斯特《印度之行》中女性角色的类型,揭示小说中女性的自我意识是如何体现自然的。本文采用分析-描述的方法,揭示了女性角色的类型,以及女性与自然如何相互联系,从而产生自我意识。小说中有三种类型的女性角色。以英国军官夫人为代表的顽固傲慢的淑女,以摩尔夫人为代表的热心肠善良的淑女,以及博学开明的年轻淑女。将马拉巴尔洞穴的回声作为小说中事件的主要触发点之一,福斯特试图通过与自然的联系来唤醒主要女性角色的自我意识。它涉及生态女权主义,其中女性和自然是不可分割的。面对代表宇宙浩瀚的自然土堆,摩尔太太很兴奋地重新评估社会规范和人际交往。与此同时,阿德拉已经成长为一个真正的人。阿德拉的女性意识被大自然的回声唤醒,使她最终完成了从青春期到成年期的艰难过渡。在他的小说中,福斯特揭露了英国的失败,并计划寻找可能的方法将不发达的思想转变为发达的思想,成功地创造和塑造了女性角色。关键词:生态女性主义;女性自我意识
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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