{"title":"Reflecting (On) the Body: Trans Self-Representation and Resistance in the Poetry of Ely Shipley","authors":"Aimee Merrydew","doi":"10.1080/14775700.2020.1720410","DOIUrl":null,"url":null,"abstract":"ABSTRACT Despite an increased awareness of trans identities and civil rights – facilitated by high-profile celebrities such as Laverne Cox – the mainstream US media continues to cast the everyday lives of trans communities in a limited and harmful light. Through an analysis of Ely Shipley’s Boy with Flowers, this article argues that first-person poetry offers a method for self-representation and platform to resist, as well as talk back to, hegemonic narratives of trans embodiment. In doing so, I position Shipley’s poetry as both a reflection of and on contemporary US culture and its policing of gendered bodies, especially under the current Trump administration. Developing the theme of reflection, I argue that the ‘reflections’ operate on physical, mental, and symbolic levels to explore how they register on the speaker’s own experiences of (trans)gender identity and embodiment.","PeriodicalId":114563,"journal":{"name":"Comparative American Studies An International Journal","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative American Studies An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14775700.2020.1720410","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Despite an increased awareness of trans identities and civil rights – facilitated by high-profile celebrities such as Laverne Cox – the mainstream US media continues to cast the everyday lives of trans communities in a limited and harmful light. Through an analysis of Ely Shipley’s Boy with Flowers, this article argues that first-person poetry offers a method for self-representation and platform to resist, as well as talk back to, hegemonic narratives of trans embodiment. In doing so, I position Shipley’s poetry as both a reflection of and on contemporary US culture and its policing of gendered bodies, especially under the current Trump administration. Developing the theme of reflection, I argue that the ‘reflections’ operate on physical, mental, and symbolic levels to explore how they register on the speaker’s own experiences of (trans)gender identity and embodiment.