Construction of Adam's Hut: an adaptation of Art Therapy for men living in the special ward of an acute psychiatric hospital in Finland

L. Girard
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Abstract

‘A hut, a shelter, or an object serves as a transmitter between unknown forces inside and outside the self’ (Kaj Noschis, 1986). The project described here used an adapted Art Therapy group in ways intended to provide localised primary experience for adult men who had histories of deprivation from early childhood. The men had great difficulty in taking in any benefit from their usual psychiatric care because of their early deprivation and also their difficulties in interacting verbally and in using symbolisation. The idea for this art therapy group project emerged from an interest in studying the needs of male patients treated by a special ward. The men were admitted to the special ward when they could not be treated in a mixed ward because of their very impulsive or aggressive behaviour. The paper is a description of the realization of the group treatment and the work process of two art therapists who were satellite workers for this special ward.  Recognition of some of the vital needs of these patients was an important part of the work. The group was rewarding for all the participants and this was in stark contrast to what were usually negative experiences and difficult attitudes towards psychiatric care. The art psychotherapeutic approach is based on the Winnicottian work of Dockar- Drysdale. The final artefact is discussed as a piece of architecture and as a metaphor for the early bodily experience. The overall outcome is discussed using the ideas of Ester Bick, Didier Anzieu and Winnicott. The hut serves as a transmitter like the skin of the human being. The therapeutic idea would be ‘the consolidating of the hut’. The idea of Adam’s Hut was born as a result of an accumulation of clinical and artistic experiences, knowledge about psychic development and a set of problems present within the particular ward. Keywords: Primary experience; transmitting object between inside and outside the self; Symbolic realization by making art; Art therapy adapted to acute psychiatry; Skin. Identifying features such as the names of patients and the hospital have been anonymised.
亚当小屋的建造:芬兰一家急性精神病医院特殊病房的男子艺术疗法的改编
“一间小屋、一个庇护所或一个物体充当了自我内外未知力量之间的传递器”(Kaj Noschis, 1986)。这里描述的项目使用了一个改编的艺术治疗小组,旨在为那些从童年早期就有被剥夺历史的成年男性提供本地化的初级体验。这些人很难从通常的精神治疗中获益,因为他们早年被剥夺了权利,而且他们在口头交流和使用符号方面也有困难。这个艺术治疗小组项目的想法源于对研究特殊病房治疗的男性患者需求的兴趣。由于这些人的冲动或攻击性行为,他们无法在混合病房接受治疗,于是他们被送进了特殊病房。本文描述了两名艺术治疗师作为该特殊病房的卫星工作者的群体治疗的实现和工作过程。认识到这些病人的一些重要需求是这项工作的重要组成部分。该小组对所有参与者都给予了奖励,这与通常消极的经历和对精神科护理的困难态度形成鲜明对比。艺术心理治疗方法是基于多卡尔-德赖斯代尔的温尼科特的工作。最后的人工制品作为一件建筑来讨论,并作为早期身体体验的隐喻。使用Ester Bick, Didier Anzieu和Winnicott的观点来讨论总体结果。小屋就像人的皮肤一样充当着传递器的作用。治疗的理念是“巩固小屋”。亚当小屋的想法是由于临床和艺术经验的积累,关于心理发展的知识以及特定病房内出现的一系列问题而产生的。关键词:初级经验;在自我内部和外部之间传输对象;通过艺术创作实现符号;适合急性精神病学的艺术疗法;的皮肤。识别特征,如病人和医院的名字已经匿名。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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