German Mother, the Mother of Germany: Visions of Patriotism, Modernity, and Motherhood in Ina Seidel’s Das Wunschkind (1930)

Victoria Vygodskaia-Rust
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Abstract

Abstract:In the decade following WW I, conservative German women writers celebrated picturesque landscapes and tapped into mysticism, religion, and national history. While interested in women’s contributions to society and literature, they pointedly avoided the social and cultural realties of the Weimar Republic. In contrast to liberal urban writers who commented on changing sexual relationships, working women, and controversial issues such as abortion, Seidel contemptuously disdained contemporary trends, instead advocating a spirit of cultural conservatism and restoration of traditional values. Her well-received Heimatsroman echoed contemporary tensions between seductive femininity and nurturing womanhood, between racism and patriotism, and between the ideas of women as professionals, spiritual mothers, and guardians of history and nationality. Although placed in the early nineteenth century, its sensitive portrayal of female experiences during the German Wars of Liberation alluded to the Weimar Republic’s debate about the notorious New Woman and echoed the visions of emancipation promoted by the German bourgeois women’s movement.
德国母亲,德国之母:艾娜·塞德尔《未来》中的爱国主义、现代性和母性观(1930)
摘要:在第一次世界大战后的十年里,保守的德国女作家歌颂了风景如画的风景,并涉足神秘主义、宗教和民族历史。虽然他们对女性对社会和文学的贡献感兴趣,但却刻意回避魏玛共和国的社会和文化现实。与自由主义城市作家对变化中的两性关系、职业女性和堕胎等争议性问题发表评论不同,塞德尔蔑视当代潮流,主张文化保守主义精神和传统价值观的恢复。她的作品广受好评,反映了当代女性魅力与女性教养之间、种族主义与爱国主义之间、以及女性作为专业人士、精神母亲和历史与民族守护者之间的紧张关系。虽然故事发生在19世纪早期,但它对德国解放战争期间女性经历的敏感描绘,暗指魏玛共和国关于臭名昭著的新女性的辩论,并呼应了德国资产阶级妇女运动所推动的解放愿景。
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