Art and Design

J. Parrington
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Abstract

This chapter focuses on how the birth of figurative art marked a significant shift in our species’ ability to represent the world around us, and presumably, a step forward in our capacity for conscious awareness. The ability to draw a familiar object such as a cat or dog develops so naturally in children that it is easy to forget what a remarkable human capacity this is. For unlike tool use, spoken language, or perhaps even the capacity to make music, which may all have evolutionary precedents in the actions or sounds made by other species, the ability to draw appears to have no relationship to anything found in the rest of the animal kingdom. And certainly for the view presented in this book of the uniqueness of human conscious awareness, the ability of humans to both produce and appreciate visual art is something that deserves a wider discussion. In particular, abstract symbols, mathematical systems, planning diagrams, and other forms that constitute visual art, can all be viewed as further examples of the 'cultural tools' that shape our minds besides language.
艺术与设计
这一章的重点是具象艺术的诞生如何标志着我们人类表现周围世界的能力的重大转变,并且可能是我们意识意识能力的一步。画猫或狗等熟悉物体的能力在儿童中发展得如此自然,以至于人们很容易忘记这是一种多么了不起的人类能力。因为不像工具的使用,语言的表达,甚至是音乐的能力,这些可能都有其他物种的动作或声音的进化先例,绘画的能力似乎与动物王国的其他任何东西都没有关系。当然,对于这本书中提出的关于人类意识的独特性的观点,人类创造和欣赏视觉艺术的能力值得更广泛的讨论。特别是,抽象符号、数学系统、规划图和其他构成视觉艺术的形式,都可以被视为除了语言之外塑造我们思想的“文化工具”的进一步例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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