Espacios, sombras, no-lugares

Abstract

The present contribution aims to study two pieces of the Catalan drama author Lluïsa Cunillé, Barcelona, mapa d’ombres and Islàndia, and the rhapsodic pulsion of these texts in their relation to space: dramatic space and literary space. It also focuses on non-places and the notion of nowhere, and finally we examine the function of some touristic guides.