The Existential Conception of Culture

Andrew Huddleston
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Abstract

Chapter 1 considers the idea of culture, as described in The Birth of Tragedy and beyond, where it is understood in terms of its existential functional role. A culture, in this sense, is a worldview seeking to provide people with a form of spiritual sustenance. The most important unifying thread in Nietzsche’s discussion is that this sort of culture serves as a way for human beings to cope with existence. Although the terms in which Nietzsche thinks about these cultures change, basically the same picture continues into his later work. What these various forms of culture (Apolline, Dionysiac, tragic, Socratic) did for the ancient Greeks, he sees Christianity and its offshoots as doing for most people in the Western world. It provides them with a series of reassuring narratives and ways of viewing things that lend meaning and intelligibility to their lives.
文化的存在概念
第一章考虑了文化的概念,正如《悲剧的诞生》及其后所描述的那样,从其存在功能角色的角度来理解文化。从这个意义上说,文化是一种世界观,旨在为人们提供一种精神寄托。尼采讨论中最重要的统一线索是,这种文化是人类应对存在的一种方式。尽管尼采思考这些文化的术语发生了变化,但基本相同的图景在他后来的作品中延续了下来。这些不同形式的文化(阿波林、酒神、悲剧、苏格拉底)对古希腊人的影响,他认为基督教及其分支对西方世界的大多数人都有影响。它为他们提供了一系列令人安心的叙述和看待事物的方式,为他们的生活提供了意义和可理解性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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