Conducting design research in Pakistan’s craft sector: Opportunities and limitations

Gwendolyn Kulick
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引用次数: 1

Abstract

Craft production in Pakistan has many facets, from cheap exploitative mass production to exquisite product lines, highlighting the beauty of the handmade. For my current PhD research, a specific field of practice has been identified: craft projects aiming to develop income generation opportunities for poor craft producers. The development of successful strategies towards including them into craft business value chains long term is the aim of the research, presented in this paper. Aspects of the complex relationship between craft tradition, craft production, poverty alleviation and empowerment inform my topic. Research methods like a case study investigation are described. My simultaneous role as researcher and field practitioner is discussed as well as challenges and opportunities of an environment that can be described as unpredictable, yet as highly supportive, open and appreciative. Ad hoc chances for research activities and serendipity do not occasionally feed this study, but are enabling it at its core through providing rich and diverse information. This research process I named ‘Research by Chance’, and its characteristics and requirements for the researcher are outlined in the conclusions. The current research state and the future steps are described in the end.
在巴基斯坦工艺部门进行设计研究:机遇与局限
巴基斯坦的工艺生产有很多方面,从廉价的剥削性大规模生产到精致的产品线,突出了手工制作的美。在我目前的博士研究中,已经确定了一个具体的实践领域:旨在为贫穷的工艺生产者创造创收机会的工艺项目。本文提出的研究目标是制定成功的战略,将它们长期纳入工艺商业价值链。手工艺传统、手工艺生产、扶贫和赋权之间的复杂关系为我的主题提供了信息。描述了案例研究调查等研究方法。我同时作为研究人员和现场实践者的角色被讨论,以及一个可以被描述为不可预测的环境的挑战和机遇,但高度支持,开放和欣赏。研究活动的特别机会和意外发现并不是偶尔为这项研究提供动力,而是通过提供丰富多样的信息使其成为核心。我将这个研究过程命名为“偶然研究”,并在结论中概述了它的特点和对研究者的要求。最后阐述了目前的研究现状和未来的研究方向。
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