Urban inequality revisited: From the corrugated city to the lopsided city

Geoff DeVerteuil
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引用次数: 5

Abstract

In this forum paper, I revisit the rich and coherent literature on inequality from the 1990s, immersed in radical urban studies and Marxist political economy, and apply it to recent transitions in city fabrics, that is the built environment and the social worlds around it. Some city fabrics reflect powerful interests, while others are more everyday and mundane. Recently, there has been the sense that powerful fabrics have increasingly encroached upon or erased everyday ones. I use urban vignettes to visualize the shift from the corrugated city, where there was a rough balance between powerful and everyday fabrics, and the lopsided city, where powerful fabrics seek to displace and dominate. This transition requires a more robustly class-driven analysis than what is currently used in urban studies, itself fragmented. In response, I articulate a focused yet balanced analysis of the lopsided city in conversation with certain key legacies of the 1990s literature on inequality: studying the extremes, building theory on empirical richness, paying attention to the city fabric, a concern for social justice, the importance of formal mechanisms in the city (e.g. the state and developers), and balancing fragmented and totalizing views of the city. However, certain aspects of the 1990s literature have aged less well, such as the obsession with the dystopic, the narrow focus on global cities of the Global North, and the ‘all-or-nothing’ (universalistic) notions that class should dominate urban analysis.
重新审视城市不平等:从波浪形城市到不平衡城市
在这篇论坛论文中,我回顾了20世纪90年代关于不平等的丰富而连贯的文献,沉浸在激进的城市研究和马克思主义政治经济学中,并将其应用于城市结构的近期转变,即建筑环境及其周围的社会世界。一些城市织物反映了强大的利益,而另一些则更加日常和平凡。最近,有一种感觉是,强大的面料越来越多地侵犯或抹去了日常用品。我用城市小插图来形象化从瓦楞的城市到不平衡的城市的转变,在瓦楞的城市里,强大的和日常的织物之间有一个粗略的平衡,而在不平衡的城市里,强大的织物试图取代和支配。这种转变需要比目前在城市研究中使用的更有力的阶级驱动分析,而城市研究本身是碎片化的。作为回应,我对这个不平衡的城市进行了集中而平衡的分析,并与20世纪90年代关于不平等的某些重要遗产进行了对话:研究极端,在经验丰富的基础上建立理论,关注城市结构,关注社会正义,城市中正式机制的重要性(例如国家和开发商),以及平衡城市的碎片化和集成化观点。然而,20世纪90年代文学的某些方面已经不那么成熟了,比如对反乌托邦的痴迷,对全球北方全球城市的狭隘关注,以及阶级应该主导城市分析的“全有或全无”(普遍主义)观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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