Very Close and Very Slow by Judith Hemschemeyer (review)

F. Moramarco
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Abstract

rank of Ph.D. If we place a copy of Hartman's The Fate of Reading and a copy of Cliff's Notes side by side, many of us reach the conclusion that die main business of criticism is to steer a middle course between two irresponsibilities, both of which are extremes. One is the arcane elitism emerging in the 1970's, and the other is the previous decade at its popularistic worst. As literary persons, we should not embrace everything in the world, nor should we turn our backs on it. In making a series of negative comments on Literary Meaning and Augustan Values, I have not meant to imply that there is nothing worthwhile in this volume. Well-organized and thoroughly learned, it furnishes a number of original insights into major eighteenth-century works and some valid criticisms of present-day tendencies in scholarship. More importandy, the book is thought-provoking; and if one of die functions of criticism is not so much to be "right" as to provoke thought, then Ehrenpreis has made a substantial contribution. Were it not for his propensities toward isolationism and reductionism, his contribution might have been even more substantial.
《非常接近,非常缓慢》作者:朱迪思·海姆谢耶
如果我们把哈特曼的《阅读的命运》和克利夫的《笔记》放在一起,我们中的许多人都会得出这样的结论:批评的主要任务是在两种不负责任之间走一条中间道路,这两种不负责任都是极端的。一个是20世纪70年代出现的神秘的精英主义,另一个是前十年最受欢迎的时期。作为文艺人,我们不应该拥抱世界上的一切,也不应该背弃它。在对《文学意义》和《奥古斯都价值观》作一系列负面评论时,我并不是想暗示这本书中没有什么值得的东西。这本书组织严密,学识渊博,对18世纪的主要著作提供了许多原创性的见解,并对当今学术界的趋势提出了一些有效的批评。更重要的是,这本书发人深省;如果批评的功能之一与其说是“正确”,不如说是引发思考,那么埃伦普雷斯就做出了重大贡献。如果不是因为他倾向于孤立主义和还原论,他的贡献可能会更大。
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