The Afterlife of Things

Sreedeep Bhattacharya
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Abstract

This chapter studies the afterlife of the discarded lot more closely in a metal junkyard located in Mayapuri, Delhi. It elaborates why the consumerist landscape needs to fetishize the ‘new’ and encourage compulsive discarding. It maps the trajectory of the discarded and simultaneously analyze the consumers’ changing relationship with the obsolete. It claims that junkyard is a liminal space between usefulness and the lack of it, or use and reuse, where things constantly move and change hands. It also observes how life is induced into the apparently lifeless and value is extracted from waste in ‘operation theatres of inorganic transplants’ by migrant labourers in the margins of the city. It asserts that these operations are directly in conflict with mainstream global models of consumption that rest on doctrines of ephemerality. It also argues how imposed norms on obsolescence produce more discards and reduce the demand for waste, making obsolescence intrinsic to consumer culture.
事物的来生
本章更仔细地研究了位于德里Mayapuri的一个金属垃圾场的废弃物的来世。它阐述了为什么消费主义需要迷恋“新”,并鼓励强迫性丢弃。它描绘了被丢弃产品的轨迹,同时分析了消费者与被淘汰产品之间不断变化的关系。它声称垃圾场是一个介于有用和无用,或使用和再利用之间的有限空间,在那里,物品不断移动和易手。它还观察到生命是如何被诱导到看似无生命的东西中,而价值是如何在城市边缘的流动工人的“无机移植手术室”中从废物中提取出来的。它断言,这些操作与建立在短暂性理论基础上的主流全球消费模式直接冲突。它还讨论了关于报废的强制规范如何产生更多的废弃物并减少对废物的需求,使报废成为消费文化的内在因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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