Scopic Drive, Time Travel, and Film Spectatorship

Pub Date : 2001-04-10 DOI:10.15353/kinema.vi.969
Laura Rascaroli
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引用次数: 1

Abstract

Sometime around 1895 Albert Einstein, a 16 year-old schoolboy from Ulm, in Germany, began to think about what it would be like to ride on the crest of a light wave -or, as one could say, to surf it. Ten years later he published ’On the Electrodynamics of Moving Bodies’, a paper that dramatically changed our way of perceiving space, time, and their relationship. Given that cinema was officially born in that same year 1895, one could wonder if the new invention, with its ray of light clearly visible against the darkness of the auditorium, played any role in the young boy’s reflection. Probably not. Nevertheless, the theory of relativity and cinema do have something in common -a fatal attraction for time travel.
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视野驱动,时间旅行和电影观众
大约在1895年的某个时候,阿尔伯特·爱因斯坦,一个来自德国乌尔姆的16岁的学生,开始思考骑在光波的波峰上会是什么样子——或者,正如人们所说,在光波的波峰上冲浪。十年后,他发表了《论运动物体的电动力学》,这篇论文极大地改变了我们感知空间、时间及其关系的方式。考虑到电影是在1895年正式诞生的,人们可能会想,这项在礼堂黑暗中清晰可见的光线的新发明,是否在这个小男孩的反思中起了什么作用。可能不会。然而,相对论和电影确实有一些共同之处——对时间旅行的致命吸引力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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