Psychiatric semiology in postmodernity

Ignacio Barbagallo
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Abstract

This article intends to reflect on the validation of psychiatric semiology and nosography that is taught in clinical psychologists and psychiatrists training programs. The vision of academic psychiatry of our times, strongly influenced by scientific narrative, seeks to consolidate an universal nosography that aims to erase the culture marks. However, the prevalence of certain diagnoses over others is determined by the social context and cultural changes that determine, in turn, the classifying standards of professionals. For this reason, it is important to include the contributions of public intellectuals and cultural theorists for an updated and culturalized semiology of clinical phenomena. We will use the developments of Mark Fisher on Capitalist Realism to rethink the main symptoms of depression.

后现代性的精神病学符号学
本文旨在反思在临床心理学家和精神科医生培训项目中所教授的精神病学符号学和医院诊疗学的有效性。我们这个时代的学术精神病学的愿景,受到科学叙事的强烈影响,试图巩固一种旨在消除文化标记的通用疾病分类学。然而,某些诊断的流行程度是由社会背景和文化变化决定的,而社会背景和文化变化又决定了专业人员的分类标准。因此,将公共知识分子和文化理论家的贡献纳入临床现象的更新和文化符号学是很重要的。我们将利用马克·费舍尔关于资本主义现实主义的发展来重新思考抑郁症的主要症状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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