感受审美:审美经验的多元感伤主义理论

Q1 Arts and Humanities
R. R. Larsen, David Sackris
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引用次数: 3

摘要

从广义上讲,感伤主义美学理论认为情感在审美体验中起着重要作用。Jesse Prinz最近提出了一种感情主义美学的简化版本,他认为正是这种离散的惊奇感使一种体验具有美感。在这篇文章中,我们借鉴了普林茨的建议,以概述一个感伤主义理论的新版本。对比普林茨对单一情感的关注,我们认为审美体验基本上是由多种情感组成的。我们承认并讨论了从这种理论中产生的重大问题,认为多愁善感主义的多元版本仍然是多愁善感主义美学中最合理的立场。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feeling the Aesthetic: A Pluralist Sentimentalist Theory of Aesthetic Experience
Sentimentalist aesthetic theories, broadly construed, posit that emotions play a fundamental role in aesthetic experiences. Jesse Prinz has recently proposed a reductionistic version of sentimentalist aesthetics, suggesting that it is the discrete feeling of wonder that makes an experience aesthetic. In this contribution, we draw on Prinz’s proposal in order to outline a novel version of a sentimentalist theory. Contrasting Prinz’s focus on a single emotion, we argue that an aesthetic experience is rudimentarily composed of a plurality of emotions. We acknowledge and discuss significant problems that follow from such a theory, arguing that a pluralist version of sentimentalism is nonetheless the soundest position within sentimentalist aesthetics.
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来源期刊
Estetika : The Central European Journal of Aesthetics
Estetika : The Central European Journal of Aesthetics Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
14
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