{"title":"2005年的《毁灭战士》电影“从一开始就注定失败”吗?《毁灭战士》(2005)的第一人称射击游戏、主观镜头和互文性","authors":"R. Ward","doi":"10.1386/JAFP.11.1.57_1","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"38 1","pages":"57-70"},"PeriodicalIF":0.1000,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Was the 2005 Doom film ‘Doomed from the beginning?’: First-person shooters, subjective cameras and intertextuality in the critical reception of the film adaptation Doom (2005)\",\"authors\":\"R. Ward\",\"doi\":\"10.1386/JAFP.11.1.57_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":41019,\"journal\":{\"name\":\"Journal of Adaptation in Film & Performance\",\"volume\":\"38 1\",\"pages\":\"57-70\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Adaptation in Film & Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/JAFP.11.1.57_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Adaptation in Film & Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JAFP.11.1.57_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Was the 2005 Doom film ‘Doomed from the beginning?’: First-person shooters, subjective cameras and intertextuality in the critical reception of the film adaptation Doom (2005)