阿提玛斯的诗。谁呼唤这个国家,谁领导这个国家?

Q3 Arts and Humanities
Colloquia Pub Date : 2021-06-01 DOI:10.51554/coll.21.47.06
Akvilė Rėklaitytė
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引用次数: 0

摘要

本文的作者将重点放在立陶宛改革运动(Sąjūdis)时期,1987-1990年前后,苏联开始解体,立陶宛获得了寻求政治独立的良机。在立陶宛,苏联统治精英试图排斥持不同政见者,因为他们在政治上更为活跃;因此,知识分子、作家和艺术家组成了争取自由运动的先锋。对当时文献资料的回顾揭示了诗歌的重要作用。本文探讨了阿提玛斯时代的诗歌话语,即在官方和非法出版物上发表的诗歌,并分析了它们的诗学(主题、文体学和意象)。它的目的是验证诗歌是否是Sąjūdis话语的“领导者”,正如许多记得这场运动的人所证明的那样。研究表明,在国家政治解放时期,诗歌作为一门独立的艺术领域已经处于危机之中。它没有创造一个独特的审美世界和语言,而是描绘了社会发生的变化,试图跟上历史事件。回忆录和新闻满足了公众直接谈论现实的需要,成为话语的真正领导者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The poetry of Atgimimas. Who Called the Nation and Who Led it?
The author of the article focuses on the time of the Reform Movement of Lithuania, Sąjūdis, when around 1987-1990 the Soviet Union began to fall apart and Lithuania was granted an opportune moment to seek political independence. In Lithuania, the Soviet ruling elite tried to exclude dissidents, who were more active in politics; therefore intellectuals, writers, and artists formed the vanguard of the movement for freedom. A review of documentary material from the time has revealed the important role of poetry. The article explores the poetic discourse of the years of Atgimimas, i.e. poems published in official and illegal publications, and analyses their poetics (themes, stylistics, and imagery). It aims to verify whether poetry was the “leader” of the Sąjūdis discourse, as many people who remember the movement testify. The research shows that during the political liberation of the state, poetry as an independent field of art had been in crisis. Instead of creating a distinctive aesthetic world and language, it illustrated the changes taking place in society, trying to keep up with historical events. Memoirs and journalism, which satisfied the public’s need for the direct talk about the realities, became the real leader of the discourse.
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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