艺术家的介入:一切拒绝消失

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Akram Zaatari
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引用次数: 0

摘要

摘要:Akram Zaatari是阿拉伯影像基金会的创始人之一,该基金会是一个非营利性组织,旨在收集、保存和研究来自中东、北非和阿拉伯侨民的照片。在过去的二十年里,扎塔里将这些收藏中的材料作为对档案实践和摄影图像的社会和物质生活进行更大规模艺术探索的基础。在这篇文章中,Zaatari质疑了支撑现有保存协议的欲望和动机。与保护照片不变质的冲动相反,他问拥抱它们的短暂性意味着什么。扎塔里寻找的是在底片上不经意消失的东西,或者在我们无法最终控制的环境和化学过程中被重新配置的东西。他试图从这些事故或现象中学习,并将它们作为工具,用于制作他所谓的“知情对象”,或者可以讲述它们所经历的事情的东西。在这里,承载历史信息的不仅仅是图像,还有其根深蒂固的材料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artist Intervention: All That Refuses To Vanish
Abstract:Akram Zaatari is one of the founders of the Arab Image Foundation, a nonprofit organization established to collect, preserve, and study photographs from the Middle East, North Africa, and the Arab diaspora. Over the past two decades, Zaatari has used material from this collection as the basis for a larger artistic inquiry on archival practices and the social and material life of photographic images. In this text, Zaatari questions the desires and motivations that underpin the established preservation protocols. As opposed to the impulse to protect photographs from deterioration, he asks what it means to embrace their ephemerality. Zaatari looks for what remains after something inadvertently vanishes in a photographic negative, or what gets reconfigured by environmental and chemical processes over which we have no ultimate control. He tries to learn from these accidents or phenomena and deploys them as tools into the making of what he calls "informed objects," or things that can speak of what they have been through. Here, it is not simply the image that bears historical information but the material on which it is ingrained.
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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