现代艺术的“主义”:比利时、荷兰及其他地区

IF 0.4 3区 历史学 Q1 HISTORY
Michał Wenderski
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引用次数: 3

摘要

本文讨论了在更广泛的欧洲背景下,现代荷兰和佛兰德艺术的历史和史学中的艺术“主义”主题,如构成主义、新造型主义、基本主义、未来主义、立体主义、表现主义等。以低地国家的历史艺术和文学先锋派为例,以其重叠的艺术“主义”复调为例,本文旨在仔细研究在现代艺术的历史和史学中使用“主义”所导致的各种限制和不精确,以精选的前卫形式为例,如De Stijl, Het Overzicht或7 art。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The ‘Isms’ of Modern Art: Belgium, the Netherlands, and Beyond
ABSTRACT This paper discusses the topic of artistic ‘isms’ in the history and historiography of modern Dutch and Flemish art in a broader European context – such as Constructivism, Neoplasticism, Elementarism, Futurism, Cubism, Expressionism etc. Exemplified by the case of the historical artistic and literary avant-garde from the Low Countries, with its polyphony of overlapping artistic ‘isms’, this paper aims to scrutinize various limitations and imprecisions that result from the use of ‘isms’ in the history and historiography of modern art, exemplified by selected avant-garde formations such as De Stijl, Het Overzicht or 7 Art.
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CiteScore
0.90
自引率
20.00%
发文量
6
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